Title says enough, methinks. Finally, finally.
Showing posts with label music. Show all posts
Showing posts with label music. Show all posts
Friday, 22 March 2013
New headphones...
Labels:
headphones,
music,
new
Location:
Someshvarapura Layout, Jogupalya
Sunday, 24 February 2013
Paul Bruce Dickinson...
When people say that he's cocky, what they don't realise is that he's got the right to be cocky. Lead singer in the greatest metal band ever, commercial airline pilot, author, proffessional fencer (who has represented his country on several occasions), Radio One show host, and that's just skimming the surface.
Here is why this man is so absolutely brilliant. An operatic metal vocalist doing a folky rendition of an old English hymn, with Ian Anderson. It doesn't get much better than that.
Labels:
Bruce Dickinson,
flute,
folk,
hymn,
Ian Anderson,
Iron Maiden,
Jerusalem,
Jethro Tull,
metal,
music
Location:
Someshvarapura Layout, Jogupalya
Thursday, 21 February 2013
Hope is kindled...
This close to the board exams, I though a little inspiration wouldn't do any harm:
Here's a version form the LOTR Symphony, with Howard Shore himself conducting. Equally inspiring, in its own way:
Here's a version form the LOTR Symphony, with Howard Shore himself conducting. Equally inspiring, in its own way:
Labels:
exams,
film,
inspiration,
LOTR,
music,
orchestra,
soundtrack,
Tolkien
Location:
Bangalore, Karnataka, India
Thursday, 14 February 2013
INYO...
I finally found the videos of the Indian National Youth Orchestra's performance at Chowdiyah Memorial Hall last May. Watch out for the last piece of the evening, an orchestral rendition of the Rajasthani folk song, Pallo Latke.
http://www.youtube.com/watch?v=4E7j6vUHmhc&feature=share&list=PLDF86DC8D4987D18D
It's some pretty neat stuff, being the country's first national classical orchestra.
http://www.youtube.com/watch?v=4E7j6vUHmhc&feature=share&list=PLDF86DC8D4987D18D
It's some pretty neat stuff, being the country's first national classical orchestra.
Labels:
Bangalore,
brass,
classical orchestra,
concert,
conductor,
folk,
India,
Indian,
Indian National Youth Orchestra,
INYO,
Mozart,
music,
Rajasthani,
strings,
summer,
Vijay Upadhyay,
woodwind
Location:
Bangalore, Karnataka, India
Sunday, 10 February 2013
Synchronicity...
Let’s start with a small back-story, shall we?
So I introduced my family to the magic that is 8tracks a few
weeks ago. Since we have a desktop with a reasonably good sound system, we
often spend our dinner-times jamming out to some vintage 80’s MTV stuff. I had
recently stumbled upon the penultimate playlist- 1,992 80’s pop and rock songs,
everything from The Cure to Bruce Springsteen- so, naturally, I had to turn it
on during dinner last night.
The problem was, of
course, that with a virtually unlimited stream of music from an era when every
song was electrifying, enjoyable, or bearable, and nothing less, it became
rather hard to turn it off, and considering the fact that I had a Biology
practical exam the next morning and I hadn’t once practiced a single floral
diagram, turning it off was something of a necessity. Billy Jean was blasting
out across the living room when I made a deal with 8tracks. I would turn it
off, I said if any song except Take On Me, by Aha, probably the most 80’s 80’s
song out there, and one of my all time favourites (along with Africa by Toto,
and… oh forget it, they’re all genius), came up next. It was a pretty good deal
for the machine- one song in nearly two-thousand. The odds don’t get much
better than that.
I nearly died (of a combination of hypertension and eyes
nearly popping out of my head) when the last notes of Michael Jackson’s classic
faded out, and were replaced by the rhythmic bass and snare of, you guessed it,
Take On Me, by Aha. One in two-thousand. Mind you, there’s absolutely no way to
predict what the next song on a fresh 8tracks mix is going to be, nor is there
any way to control the order, as a listener.
You might call this some form of telepathy. Here
is an interesting blogpost I found, explaining the rational side to the
‘supernatural’ phenomenon of telepathy. While the logic seems sound (I haven’t
even graduated high-school yet, how would I know), and I have had several
similar experiences over the course of my lifetime, it doesn’t explain what
happened last night at all. Oh, I forgot to mention this, but this is probably
the third or fourth time something like this has happened to me, but this time,
it was different in the fact that in all my previous experiences, the second
parties have been live radio stations, controlled by human radio jockeys. If
what the above article details is to be taken as true, and humans collectively
are, in fact, a literal bio-electrical network, all my previous experiences can
be explained, since both the radio jockey and I are both definitely and
completely human.
8tracks, on the other hand is not. 8tracks consists on an
endless number of ‘mixes’ created by its users, containing a number of songs
chosen by them in an order they decide, but when you play a mix, it’s the website
that plays song after song in the predetermined order, no humans involved at
that precise moment when I so desperately willed Take On Me to play next.
In 1996, when the supercomputer Deep Blue defeated
then-reigning world chess champion, the Russian Garry Kasparov, he remarked
that the computer displayed “human” intelligence.
Was I, in fact, communicating telepathically with the
website? This
article talks about a ‘telepathic’ computer that can ‘read your mind’. Hardly
related to what happened with me, since my computer and the website haven’t
been designed to perform that function, and have no way to do so, but it does
open up the realm of possibility whereby telepathic communication between man
and machine becomes possible. Have we so integrated machines and computers into
our society that we have been able to unconsciously allow them to become part
of the aforementioned hypothetical bio-electrical network of the human brain?
Well, yes and no. Yes because the possibility of artificial
intelligence has long been looming, and no because even the possibility of
human-to-human telepathy is merely hypothetical. What may seem uncanny, as was
Deep Blue’s victory over Kasparov, is in fact simple action out of analysis of
observed facts and logical reasoning.
But, since my mind that desired a song that I wanted to hear
had not converted that desire into an input into the website via typing in the
search bar, that thought remained only in my nervous system. There was
absolutely no way to put that desire down as a hard fact for the website to
analyse and act accordingly in response, since, as I mentioned before, my
personal computer was not built with the capability to read my neurosignals.
Yet, the next song that came on was the song I wanted to hear.
What I have overlooked in my logical flow up to this point,
is the fact that, as its website claims, 8tracks is “internet radio created by
people, not algorithms”. So there was in fact a human involved in my
experience. It wasn’t just a computer. So the possibility of telepathy is still
open for discussion, right? The fact that the mix I refer to was created on the
28th of January, this year, ten days before I even became aware of its
existence, poses a metaphorical dead-end to that line of argument.
Maybe not. I found this on an internet forum:
“I cannot prove that any of you exist outside my mind. Just like none
of you can prove that I exist outside of your minds.
Consciousness can be boiled down to this: "me" and "you." In this case, "you" represents anything that cannot be identified as "me." Without "me" there is no "you," as there would be no "me" to even conceive of "you."
So you are all constructs of my mind. This is not where it ends though, as I'm just a construct of the mind of whatever consciousness happens to observe me.
Now, we've established that "you" only are because of "me," and essentially, this reality I exist in exists within me. This is always the part where I get stuck though.
My vocabulary is not advanced enough to speak the language of creation.
Okay, look at it this way: True it's all very circular and dependent on the concept of infinity, but if I exist in a reality that exists within me, and you all exist in a reality that exists within me, and the same can be said of each and every consciousness in existence, then what are we conscious of?
Consciousness can be boiled down to this: "me" and "you." In this case, "you" represents anything that cannot be identified as "me." Without "me" there is no "you," as there would be no "me" to even conceive of "you."
So you are all constructs of my mind. This is not where it ends though, as I'm just a construct of the mind of whatever consciousness happens to observe me.
Now, we've established that "you" only are because of "me," and essentially, this reality I exist in exists within me. This is always the part where I get stuck though.
My vocabulary is not advanced enough to speak the language of creation.
Okay, look at it this way: True it's all very circular and dependent on the concept of infinity, but if I exist in a reality that exists within me, and you all exist in a reality that exists within me, and the same can be said of each and every consciousness in existence, then what are we conscious of?
We're only conscious of ourselves, nothing else. We are one
consciousness, continually segmenting and experiencing itself.”
The most obvious bells ringing on your head will probably
point straight to Jung’s concept of synchronicity.
Jung coined the word to describe what he called "temporally coincident
occurrences of acausal events."
Here’s an example from Jung:
“A young woman I was treating had, at a critical moment, a dream in
which she was given a golden scarab. While she was telling me this dream, I sat
with my back to the closed window. Suddenly I heard a noise behind me, like a
gentle tapping. I turned round and saw a flying insect knocking against the
window-pane from the outside. I opened the window and caught the creature in
the air as it flew in. It was the nearest analogy to a golden scarab one finds
in our latitudes, a scarabaeid beetle, the common rose-chafer (Cetonia
aurata), which, contrary to its usual habits had evidently felt the
urge to get into a dark room at this particular moment.”
The belief, in a nutshell- suggested by quantum theory and by reports of synchronous events- is that matter and consciousness interpenetrate.
I should probably stop now. This looks to be very open-ended, and is full of arguments based solely on hypothetical evidence. More importantly, I have satisfied myself to dwell on Jung’s concept, which makes the most sense by far. For now. Maybe in a few months, I might have something more to say, who knows? Maybe we’ll have another post like this, which, I must admit, is so very fun to write, by this August. If not, well, I just hope that my radio-telepathy/uncannily regular mingling in synchronicity/whatever continues. If you haven’t experienced it before, it feels utterly brilliant. Take my word for it.
If anyone has any (interesting) opinions on the whole thing, do feel free to comment. Ah, who am I kidding, nobody reads this blog.
As a reward for anyone who read this post right through to the end, here's Synchronicity II by The Police.
I shall get back to my ice cream sundae now.
Sunday, 27 January 2013
Hello, we're talking about...
You know that annoying time of day when you're watching A Bit of Fry and Laurie, but you can't get a fiendish medley of the theme from Mind Your Language, bits of Swan Lake, and Never Smile at a Crocodile out of your head? No? Well, I can't say I'm disappointed for you.
And here's the whole of Disney's Peter Pan, just for the heck of it.
Labels:
ballet,
British,
Disney,
Hugh Laurie,
music,
random,
Stephen Fry,
weekend
Friday, 11 January 2013
Cockney and Ballet...
So 'ere I sit, after writin' the chuffin'
dickie birds 'temporal' and 'eternal' 'baht a 'undred times in me essay
on ode on a grecian urn in me literature Green, and jammin' ter 'Solidarity' from Billy Elliot (and also tryin' ter figure aahhht 'a the
bloomin' musical is 'excellent for students and children', after 'earin'
the lines "you think yer smart ya cockney shite, ya wanna be
suspicious? When ya were on the picket line, we went and fucked yer missus" in the song). Elton john may be a right pretentious thr'penny
bit, but 'e Bobby can tickle and bite the Mae West musicals.
Watch Billy Elliot at the Victoria Palace Theatre in London? Goin' on the Mrs Duckett list, along wif Caine's 'rcade and Burnin' Man fer Bobby.
Yup, that was Cockney. I'm bored.
Apparently Cockney rhyming slang was invented so that the coppers wouldn't be able to understand what the criminals were saying, which is why it finally makes sense to me. I mean, who in their right mind would call feet 'plates'? Or heads 'loaves of bread'? But, then again, I don't think anyone who speaks Cockney today is in their right mind.
Okay wait, was that not good? Rewind, rewind, rewind...Right, let's start over.
In recent weeks, I have suddenly developed and intense fascination for ballet, hence the Billy Elliot stuff. Also, we were discussing Nadsat a while back, and the subject of Cockney rhyming slang came up. QED.
Just wanted to make the update. I need to write more on this blog.
Oh, my earphones went bust again. These ones. Less than a year this time. Wow. So I'm stuck without music-on-the-go. Not that I'll be going places during the exam, but still...
Watch Billy Elliot at the Victoria Palace Theatre in London? Goin' on the Mrs Duckett list, along wif Caine's 'rcade and Burnin' Man fer Bobby.
Yup, that was Cockney. I'm bored.
Apparently Cockney rhyming slang was invented so that the coppers wouldn't be able to understand what the criminals were saying, which is why it finally makes sense to me. I mean, who in their right mind would call feet 'plates'? Or heads 'loaves of bread'? But, then again, I don't think anyone who speaks Cockney today is in their right mind.
Okay wait, was that not good? Rewind, rewind, rewind...Right, let's start over.
In recent weeks, I have suddenly developed and intense fascination for ballet, hence the Billy Elliot stuff. Also, we were discussing Nadsat a while back, and the subject of Cockney rhyming slang came up. QED.
Just wanted to make the update. I need to write more on this blog.
Oh, my earphones went bust again. These ones. Less than a year this time. Wow. So I'm stuck without music-on-the-go. Not that I'll be going places during the exam, but still...
Thursday, 26 April 2012
Collapse the Light into Earth...
I won't shiver in the cold
I won't let the shadows take their toll
I won't cover my head in the dark
And I won't forget you when we part
Collapse the light into earth
I won't heal given time
I won't try to change your mind
I won't feel better in the cold light of day
But I wouldn't stop you if you wanted to stay
I won't let the shadows take their toll
I won't cover my head in the dark
And I won't forget you when we part
Collapse the light into earth
I won't heal given time
I won't try to change your mind
I won't feel better in the cold light of day
But I wouldn't stop you if you wanted to stay
Collapse the light into earth
_______________________________________________________________________________
I dunno, maybe I'm crazy, but this is, to me, the most romantic song ever written.
Saturday, 3 March 2012
#10: British Music...
I am falling increasingly in love with Porcupine Tree each time I listen to them. Small wonder they're British. My top bands are all British, I discovered: Iron Maiden, Pink Floyd, The Beatles, Porcupine Tree, etc. It isn't, as you would suspect, the patriotism. There's something inescapably attractive about their music. Maybe it's the accent. Maybe it's something more. The anguish of a culture suppressed by it's own nature. Maybe hanging on in quiet desperation is the English way. I am still English (or British at any rate) at heart.
I also feel a little stoned right now. Too much Porcupine Tree...
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